Saturday, 28 September 2013

Love- The Miracle Worker


In the next article, Ritika Alexander talks about how the power of love can work miracles in our lives:
“Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres. Love never fails” -1 Corinthians 13:4.

This four letter word has more depth than the Pacific Ocean and has had plays, songs and stories written on it more than anything else in the world. Khaled Hosseini set out to write an extraordinary love story- 'A Thousand Splendid Suns'.

This is the tale of Mariam, a fifteen year old girl who is forced to marry Rasheed. Nearly two decades later, a friendship grows between her and a local teenager, Laila, as strong as the ties between mother and daughter. When the Taliban takes over, life becomes a desperate struggle against starvation, brutality and fear.

Love in its various forms acts as a major facilitator of interpersonal relationships and, owing to its importance as a genre, is one of the most common themes in the creative arts. Such is the work of Hosseini in this literary endeavor. What keeps this novel vivid and irresistible is his eye for the textures of daily life and his ability to portray a full range of human emotions.

Love is such an emotion capitalized in the novel. ‘A thousand splendid suns’ is a narrative that highlights the plight of Afghan women and their fate. But it is also a heartfelt saga that encompasses romance and melodrama, personal and political intrigue.

Love is very often conformed to the Shakespearean cliché Romeo and Juliet or even violins playing in the background if taken the Indian movies perspective. What we miss out on is the love that is found between anything with a soul like two siblings, two friends or as in the case of A Thousand Splendid Suns, the soul-stirring connection between two victimized women.

“Mariam was five years old when she first heard the word ‘harami-illegitimate’ from her nana only because her nana’s precious china slipped from Mariam’s fingers and shattered on the floor.”

Mariam only received such reactions from her mom filled with loathing and who never failed to remind her every day that she was unwanted. It was true such violent streaks bore roots in her nana when Mariam’s father, Jalil, abandoned them. Since then Mariam is adored once a week by her father whom she has to share with nine other legitimate children she is unfamiliar with. Even after the ungodly suicide of her nana, her father had little to say while his platoon of wives refused to have her in the house and so married her off to an elderly widower. Such is the childhood of Mariam whose womanhood also deteriorates into endurance when subject to cruelty from Rasheed.

In a parallel universe, Laila is a beautiful and intelligent girl coming from a family in which the father is university-educated and a teacher. Compared to Mariam, Laila "had a much more fulfilling relationship with her father, her girlfriends and her childhood friend, Tariq.” But her life suddenly turns topsy-turvy when she finds herself orphaned and married to Rasheed, no questions asked.

Mariam and Laila end up on the same doorstep but under very different circumstances where Mariam was unloved and abandoned while Laila was loved but orphaned.

 This created initial feeling of resentment in Mariam who "felt her territory infringed upon" and thought history was repeating itself when old fears of being unwanted resurfaced, her prolonged history with abandonment to be blamed.

 But like Mariam, who was unable to bear children, Laila too disappoints Rasheed when she gives birth to a daughter and becomes a target for his cruelty.

 “And in the fleeting wordless exchange with Mariam, Laila knew that they were not enemies any longer.”

Laila and Mariam thereon developed a rapport making them inseparable, all due to Mariam's childlessness and the struggles and abuse they both face during the marriage.

Love in this context maybe understood as part of a survival instinct, a function to keep human beings together against menace. The unhappy household only created the conditions for the birth of a friendship so strong, a union as close as any marriage.

Mariam’s killing of Rasheed calls for severe punishment which Mariam takes upon herself to steer any attention on Laila away and in a way fulfils her duty as an alternative doting mother to Laila. Mariam’s selflessness to provide a better life for Laila laid the foundation for the ultimate sacrifice ever made in the history of love. Such is the power of love, tragic and heart-breaking yet so touching you would want to be a statue to not be moved by this story.

Love can move people to act in unexpected ways and lead them to overcome the most daunting obstacles with startling heroism.

In Titanic Jack wishes Rose to move on with her life. Similarly Laila remains indebted to the memory of Mariam but moves on with her life just how Mariam would have wanted her too. Laila later becomes a teacher and settles down with Tariq making a life for herself not letting Mariam’s sacrifice go in vain.

‘But the naming game for her unborn child involved only male names. Because if it’s a girl Laila has already named her.”

Love may not be the first thing that comes to mind when you consider the war-ravaged landscape of Afghanistan. But that is the emotion-powerful and infinitely patient that suffuses the pages. This is a novel that bears testament to the power of love. A riveting read that explores sacrifices necessary to sustain hope and the power of love that can jerk tears from even the coldest of hearts.

In Hosseini’s words -“I couldn’t think of a more convincing idea than that of a mother’s love, for no love surpasses that of a mother’s. Every other topic paled in comparison. This is the labour of my love and I hope it doesn’t sound too pretentious if I say that I think of it as my modest tribute to the genre love whose power can move mountains and work wonders.”

No comments:

Post a Comment